{insert 200 meme images of da pope w chicago references}
Nothing But Trouble (1991 Sling)
#1: The Bernstein/Berenstain Bear situation is absolute evidence that something occasionally messes with our timeline/reality. The fact that Dan Aykroyd wrote, directed, stared in a batshit crazy movie with Chevy Chase and John Candy and it was off my radar for over 30 years is further evidence of said timeline/reality chicanery!
#2: Stephen King directed/wrote only one movie. Maximum Overdrive. Opinions vary wildly (its a hot mess that i adore). But its very clear that he channeled his inner 12 year old when building the content: tons of AC/DC, killer cars, crazy deaths (including a little league massacre), basement full of guns, antiestablishment hero who gets the girl, and so on. This....finally....brings me to my review.......
My mind was blown during the opening credits as i didnt know Aykroyd ever directed. Turns out he did...only once. And, as with my king comment above, i think he did the exact same thing. channeled his inner 12 year old: insane haunted fun house filled with traps/gadgets/rube-goldberg-inventions, freaky judges, mutant men babies, run ins with the law, meat grinder deaths, random musical number, incredibly huge sets filled with random sh@t, and so on. All of that, COMBINED with Candy, Chevy, Demi, Taylor Negron, and this flick should have been a cult comedy classic in the vein of Strange Brew. Alas theres one small catch....the writing is terribly boring. It all happens but does so with no sense of humor or character other than "everything looks weird". A shame really as this could have been epic.
#3: During the scene where the group Digital Underground (w Tupac!?) randomly shows up and does a musical number (which i enjoyed) it occured to me that this film very much pairs with the FAR better but equally lost in time Doctor Detroit. Dan plays multiple quirky, weird, over the top, characters in a wacky comedy and finds ways to interject musical numbers.
Going on Nothing But Trouble and Doctor Detroit imdb pages is a bad idea, there's a ton of recommendation for other 80s comedies. Some i need to rewatch, some i never saw. Those were the days 😁
The Luckiest Man in America (2024): I know why, but every time I see Paul Walter Hauser in a movie, I'm impressed by how good he is. And I know he is, I shouldn't be surprised because I've seen him in a lot of stuff, and sometimes he's the reason why I'm watching the movie. Anyway, he's still good here and the movie's good. I was aware of the history of the events adapted here, they obviously changed a few things, like they usually do.
Brotherhood of the Wolf (Le pacte des loups, 2001): An okay movie full of style, that was well received back then, still well reviewed now, but I couldn't get into it. 24 years later, I still can't get into it. That's too bad, because it's really well made. Mark Dacascos character is by far the most interesting, but obviously gets killed midway through.
Kill Them All and Come Back Alone (1968): An Italian director, shot in Spain, with Italian and English audio tracks, an international cast, and the title appears in French. All the things we love from a good Spaghetti Western. I really like this genre, but I'm severely behind in my knowledge, so I do what I can. There's always something interesting in those movies, even the boring ones I can't help but watch, these Italian dudes are crazy. I bought this on a whim because it's 2 movies (with The Hellbenders (1967) in glorious 4k, and the genre is underrepresented in that format.
There were so many spaghetti westerns made that it is difficult to even watch a small percentage of the genre's output without almost having to purposefully plan to watch to the films. I have probably only seen around 40 spaghetti westerns over several decades.
I was wandering through the Night Flight app. after wrestling last night and couldn’t settle on what to watch until I was reminded of this weird little documentary that’s been on my watchlist for awhile. Grew up a big Detroit Rock City fan and once I realized it was directed by Adam Rifkin (The Chase) decided to pull the trigger. It’s a fun, strange little insight into the world of outsider art, father and son relationships, and L.A. poverty. Highly recommend if you dig Harmony Korine, Jackass, Daniel Johnston, or simply movies about filmmaking.
Today, during work, I plan on rewatching Tremors for comfort, possibly finishing Joe Bob’s Vamp presentation, and another hour of the massive (endless) Doc. of Chucky.
Tonight, films will take a backseat to more wrasslin’ at least for awhile. Maybe I’ll be feeling spicy and cue up an early Mother’s Day feature.
I got to quite a few films during the week and watched parts of others. Some of those I will finish at a later time. Tonight I am going to a Russ Meyer double feature of UP! and MOTOR PSYCHO at the Gap Theatre. With Motor Psycho being a midnight screening, it will be a late night.
ZIGEUNERWEISEN (1980, dir. Seijun Suzuki) – This was the return of Seijun Suzuki to prominence in the Japanese film industry after more than a decade of blacklisting. With the art-house narrative style, Zigeunerweisen is a departure from the genre films he became famous for. Two men, a German professor at a military academy and a former colleague who has abandoned respectability for a wandering existence, have a quirky friendship that takes many turns in early 20th-century Japan. The contrast between the disciplined professor and the wild, impulsive life of his friend forms the bulk of the narrative. There is much that remains deliberately ambiguous in the film, with the weirdness getting stronger by the conclusion. Though not a work of entertainment, it is interesting as part of the evolution of a filmmaker.
GOING ATTRACTIONS: THE DEFINITIVE STORY OF THE AMERICAN DRIVE-IN MOVIE (2013, dir. April Wright) – I have no recollection of watching this documentary before, but I certainly would have if I ever encountered it. The history of drive-in movie theaters is chronicled randomly, but that seems to be the case with any of the drive-in documentaries out there. It all depends on the people that do the talking in the film. Overall, it is a genial look at drive-ins and the personal histories connected to them.
TOMBSTONE (1993, dir. George Cosmatos) – With the passing of Val Kilmer and recent a television broadcast on the Fox movie channel (FXM), I decided it was finally time to see it. Even with the clipped aspect ratio (formatted to 16:9) of this version, the cinematic qualities of Tombstone shine. In particular, the sequence in the closing credits of the main characters walking up a street is amazing. So much machismo in one image. That cast is beyond terrific. Although the real life of Wyatt Earp was not quite like the story in the film, the western genre is about so much more than history.
THE LEECH WOMAN (1960) – Another culturally sensitive B-movie portrait of Africa. The natives dance around holding spears and shields or carry the supplies for a jungle expedition. Of course, there is plenty of stock footage of elephants and other animals that do not even live in the same environments. This is a fun film blending the jungle adventure of a search for an elixir of youth with marital melodrama. It does go into some of the same territory as The Substance, but certainly not at the intensity of the later film.
Tombstone has come up so much lately on podcasts and im DYING to revisit but i really wanna watch in 4k and that disc is crazy impossible to get right now (thou i heard they'll be making more). Just rewatched the Val doc, which is awesome, and loved the bits from Tombstone. The final scene with Wyatt is incredible.
TWINS OF EVIL (1971) Super-fun gothy/campy/horny vampire stuff. Weird to think Peter Cushing is only six years away from the Death Star in this.
THUNDERBOLTS (2025) Decent, I guess? Marvel has its formula down to a science, and this is them playing all the hits again.
STAR TREK (2009) I don't know if this continues the "human adventure" themes of the originals, but it's an entertaining action romp.
FAST TIMES AT RIDGEMONT HIGH (1982) I always wonder how the pizza guy got past the school's front office.
LIFE (2017) I thought this and The Cloverfield Paradox was the same movie. It's not a bad monster movie, but this type of thing has been done better elsewhere.
BROTHERHOOD OF THE WOLF (2001) Still holds up!
CROUCHING TIGER HIDDEN DRAGON (2000) Also still holds up! So many scenes and images from this remain burned in my memory all these years later.
Lone saturday night at home, so I obviously watched movies...
Speed Racer (2008): A couple of weeks ago (well, a month if you're on Nebula), Patrick H Willems did a video on the movie. I always liked the movie, so of course I was psyched about it. Today I decided it was actually time to rewatch it. It's still a ton of fun and I wish they'd release a 4k, it's a very colorful movie and it would really pop in HDR. For now, the Blu-ray will do.
The Misfits (1961): Will forever be remembered (if anybody remembers it) as the last movie Marilyn Monroe and Clark Gable ever did before their passing. But that's forgetting there's an actual good movie with a great performance by Monroe. We can only dream of what could've been if she was taken more seriously and all the things she could've done. Unfortunately, the 4k disc has no extras other than the booklet that comes with it, and is only available in the UK and Germany. But now that I've bought it, I'm sure Criterion will announce a new 4k filled-to-the-brim-with-extras soon, or hopefully Kino (usually cheaper).
Schizoid (1980): The guy at the used DVD store showed me this Vinegar Syndrome 4k release, and when I saw it starred Klaus Kinsky, which I don't think I ever saw outside of a Werner Herzog movie, I had to get it. Also, Christopher Lloyd has a small role, which is always fun. It's everything you love from a cheap B-movie slasher: a bit of mood, a bit of nudity, a bit of gore (not too much, that cost money). It comes packed with the movie X-RAY (aka Hospital Massacre), which is also a fun one. Solid 4k with decent extras.
Oddly enough, Schizoid is Klaus Kinski at his most restrained. Those scenes with the daughter in the film hit differently if you know what his children have said about him. For unhinged Klaus Kinski, 1986's CRAWLSPACE is one to check out. The tantrums he threw on set were just as crazy as his character's antics.
{Editors Note: It is impossible for me to objectively review this documentary. Two of my very much favorite things are: the wick franchise and feature length movie documentaries. Im predisposed to adore this documentary}
I ADORE this documentary. A two hour look at the Wick franchise presented from Chad and Keanu. Tons of interviews and behind the scenes footage. Not for everyone as i think alot of the key details from within have been shown before BUT for huge fans of the franchise or action cinema, its brilliant.
It also helped me further understand why i find the Wick movies SO much better than the countless imitators that follow (some of which are very good). Beyond the incredible direction, set design, choreography, tone, and 'vibe', this documentary dug deep into: 1) Keanu's unbelievable levels of dedication and time spent training each movie. 2) the amount of practical effects..many of which i assumed had to be done in cgi. Examples: the Wick building fall in the final moments of pt 3!?, the open car spin/shoot at the arc de triumph (Pt 4), the dog stuff (pt 3), the massive stair fall (pt4) and many more.
AHHHHHH!!!! Ok...so several years ago a short film parody of action movies named Kung Fury dropped on youtube and went viral. Its hilarious and creative (and feels very in the vein of the equally brilliant australian show Danger 5). The creator crowdsourced and then studio sourced the money to make a feature film. It was shot. It includes cameos by Schwarzenegger and Fassbender. And we may never see it as its locked in a control/financial battle with a key contributor.
Jump to today.
Someone...either on the sly...or intentionally for promotion....has uploaded a 10m "trailer" or more appropriately "sizzle reel". Its a collection of clips from the entire movie. It. Its. Batsh@t. Crazypants. Fun. Trust me, its worth checking out. If it is an unintentional leak, it'll get pulled down, but theres mirror posts going on. Its literally worth the watch for Fassbender alone.
It may be all we get to see from the movie...and honestly it might be enough....pretty hard to pull off a feature length of that type of parody/quirky.
The Russ Meyer double feature last night at the Gap Theatre was a blast. I have waited many years to get a chance to see his films on a big screen.
UP! (1976) may not be Meyer's best (Supervixens or Beyond The Valley Of The Dolls for that honor), but it sure is a delirious X-rated experience. (It does not cross the hard-core line, however.) Adolf Hitler, a serial killer, a horny policeman, several buxom ladies, and a ridiculous Greek chorus had me thinking: What? What? What the ...? I found it funny. Watching UP! on a big screen with a crowd that was laughing as well made it a better experience than it would have been seeing it at home.
1965's MOTOR PSYCHO is much tamer but still is an entertaining black-and-white drive-in flick. Three men riding motorcycles through the desert attack the people they meet along the way. Faster Pussycat, Kill, Kill is a variation of Motor Psycho. When the three men assault a woman in her home, her husband goes after them for revenge. The husband was an early role for Alex Rocco. Along the way there is the usual Russ Meyer titillation and an effective showdown to conclude the film. The scratched 35 mm print added some charm to the experience.
{insert 200 meme images of da pope w chicago references}
ReplyDeleteNothing But Trouble (1991 Sling)
#1: The Bernstein/Berenstain Bear situation is absolute evidence that something occasionally messes with our timeline/reality. The fact that Dan Aykroyd wrote, directed, stared in a batshit crazy movie with Chevy Chase and John Candy and it was off my radar for over 30 years is further evidence of said timeline/reality chicanery!
#2: Stephen King directed/wrote only one movie. Maximum Overdrive. Opinions vary wildly (its a hot mess that i adore). But its very clear that he channeled his inner 12 year old when building the content: tons of AC/DC, killer cars, crazy deaths (including a little league massacre), basement full of guns, antiestablishment hero who gets the girl, and so on. This....finally....brings me to my review.......
My mind was blown during the opening credits as i didnt know Aykroyd ever directed. Turns out he did...only once. And, as with my king comment above, i think he did the exact same thing. channeled his inner 12 year old: insane haunted fun house filled with traps/gadgets/rube-goldberg-inventions, freaky judges, mutant men babies, run ins with the law, meat grinder deaths, random musical number, incredibly huge sets filled with random sh@t, and so on. All of that, COMBINED with Candy, Chevy, Demi, Taylor Negron, and this flick should have been a cult comedy classic in the vein of Strange Brew. Alas theres one small catch....the writing is terribly boring. It all happens but does so with no sense of humor or character other than "everything looks weird". A shame really as this could have been epic.
#3: During the scene where the group Digital Underground (w Tupac!?) randomly shows up and does a musical number (which i enjoyed) it occured to me that this film very much pairs with the FAR better but equally lost in time Doctor Detroit. Dan plays multiple quirky, weird, over the top, characters in a wacky comedy and finds ways to interject musical numbers.
Going on Nothing But Trouble and Doctor Detroit imdb pages is a bad idea, there's a ton of recommendation for other 80s comedies. Some i need to rewatch, some i never saw. Those were the days 😁
DeleteNothing But Trouble is always going to be remembered more for "Same Song" being Tupac's debut as a rapper than the movie itself.
DeleteThe Luckiest Man in America (2024): I know why, but every time I see Paul Walter Hauser in a movie, I'm impressed by how good he is. And I know he is, I shouldn't be surprised because I've seen him in a lot of stuff, and sometimes he's the reason why I'm watching the movie. Anyway, he's still good here and the movie's good. I was aware of the history of the events adapted here, they obviously changed a few things, like they usually do.
ReplyDeleteBrotherhood of the Wolf (Le pacte des loups, 2001): An okay movie full of style, that was well received back then, still well reviewed now, but I couldn't get into it. 24 years later, I still can't get into it. That's too bad, because it's really well made. Mark Dacascos character is by far the most interesting, but obviously gets killed midway through.
Kill Them All and Come Back Alone (1968): An Italian director, shot in Spain, with Italian and English audio tracks, an international cast, and the title appears in French. All the things we love from a good Spaghetti Western. I really like this genre, but I'm severely behind in my knowledge, so I do what I can. There's always something interesting in those movies, even the boring ones I can't help but watch, these Italian dudes are crazy. I bought this on a whim because it's 2 movies (with The Hellbenders (1967) in glorious 4k, and the genre is underrepresented in that format.
There were so many spaghetti westerns made that it is difficult to even watch a small percentage of the genre's output without almost having to purposefully plan to watch to the films. I have probably only seen around 40 spaghetti westerns over several decades.
DeleteGiuseppe Makes a Movie (2014)
ReplyDeleteI was wandering through the Night Flight app. after wrestling last night and couldn’t settle on what to watch until I was reminded of this weird little documentary that’s been on my watchlist for awhile. Grew up a big Detroit Rock City fan and once I realized it was directed by Adam Rifkin (The Chase) decided to pull the trigger. It’s a fun, strange little insight into the world of outsider art, father and son relationships, and L.A. poverty. Highly recommend if you dig Harmony Korine, Jackass, Daniel Johnston, or simply movies about filmmaking.
Today, during work, I plan on rewatching Tremors for comfort, possibly finishing Joe Bob’s Vamp presentation, and another hour of the massive (endless) Doc. of Chucky.
Tonight, films will take a backseat to more wrasslin’ at least for awhile. Maybe I’ll be feeling spicy and cue up an early Mother’s Day feature.
Good weekend to everyone.
ReplyDeleteI got to quite a few films during the week and watched parts of others. Some of those I will finish at a later time. Tonight I am going to a Russ Meyer double feature of UP! and MOTOR PSYCHO at the Gap Theatre. With Motor Psycho being a midnight screening, it will be a late night.
ZIGEUNERWEISEN (1980, dir. Seijun Suzuki) – This was the return of Seijun Suzuki to prominence in the Japanese film industry after more than a decade of blacklisting. With the art-house narrative style, Zigeunerweisen is a departure from the genre films he became famous for. Two men, a German professor at a military academy and a former colleague who has abandoned respectability for a wandering existence, have a quirky friendship that takes many turns in early 20th-century Japan. The contrast between the disciplined professor and the wild, impulsive life of his friend forms the bulk of the narrative. There is much that remains deliberately ambiguous in the film, with the weirdness getting stronger by the conclusion. Though not a work of entertainment, it is interesting as part of the evolution of a filmmaker.
GOING ATTRACTIONS: THE DEFINITIVE STORY OF THE AMERICAN DRIVE-IN MOVIE (2013, dir. April Wright) – I have no recollection of watching this documentary before, but I certainly would have if I ever encountered it. The history of drive-in movie theaters is chronicled randomly, but that seems to be the case with any of the drive-in documentaries out there. It all depends on the people that do the talking in the film. Overall, it is a genial look at drive-ins and the personal histories connected to them.
TOMBSTONE (1993, dir. George Cosmatos) – With the passing of Val Kilmer and recent a television broadcast on the Fox movie channel (FXM), I decided it was finally time to see it. Even with the clipped aspect ratio (formatted to 16:9) of this version, the cinematic qualities of Tombstone shine. In particular, the sequence in the closing credits of the main characters walking up a street is amazing. So much machismo in one image. That cast is beyond terrific. Although the real life of Wyatt Earp was not quite like the story in the film, the western genre is about so much more than history.
THE LEECH WOMAN (1960) – Another culturally sensitive B-movie portrait of Africa. The natives dance around holding spears and shields or carry the supplies for a jungle expedition. Of course, there is plenty of stock footage of elephants and other animals that do not even live in the same environments. This is a fun film blending the jungle adventure of a search for an elixir of youth with marital melodrama. It does go into some of the same territory as The Substance, but certainly not at the intensity of the later film.
Just bought the Tombstone 4k disc, but it's still in the mail. Can't wait to re watch it
DeleteTombstone is a film that would look great in 4k. The visuals are one its strong points.
DeleteTombstone has come up so much lately on podcasts and im DYING to revisit but i really wanna watch in 4k and that disc is crazy impossible to get right now (thou i heard they'll be making more). Just rewatched the Val doc, which is awesome, and loved the bits from Tombstone. The final scene with Wyatt is incredible.
DeleteGot mine from the UK, tired of waiting for the US to get more. Though by the time it gets here, i'm sure US will be available 😵💫
DeleteTWINS OF EVIL (1971)
ReplyDeleteSuper-fun gothy/campy/horny vampire stuff. Weird to think Peter Cushing is only six years away from the Death Star in this.
THUNDERBOLTS (2025)
Decent, I guess? Marvel has its formula down to a science, and this is them playing all the hits again.
STAR TREK (2009)
I don't know if this continues the "human adventure" themes of the originals, but it's an entertaining action romp.
FAST TIMES AT RIDGEMONT HIGH (1982)
I always wonder how the pizza guy got past the school's front office.
LIFE (2017)
I thought this and The Cloverfield Paradox was the same movie. It's not a bad monster movie, but this type of thing has been done better elsewhere.
BROTHERHOOD OF THE WOLF (2001)
Still holds up!
CROUCHING TIGER HIDDEN DRAGON (2000)
Also still holds up! So many scenes and images from this remain burned in my memory all these years later.
Nice, we both watched Brotherhood of the Wolf, though you seem more enthusiastic about it than me.
DeleteI'm a big fan! Were you doing the #HorrorWatch thing?
DeleteNah, got the blu-ray at the used dvd store. Figured i should give it another try. Haven't seen it since its original release
DeleteLone saturday night at home, so I obviously watched movies...
ReplyDeleteSpeed Racer (2008): A couple of weeks ago (well, a month if you're on Nebula), Patrick H Willems did a video on the movie. I always liked the movie, so of course I was psyched about it. Today I decided it was actually time to rewatch it. It's still a ton of fun and I wish they'd release a 4k, it's a very colorful movie and it would really pop in HDR. For now, the Blu-ray will do.
The Misfits (1961): Will forever be remembered (if anybody remembers it) as the last movie Marilyn Monroe and Clark Gable ever did before their passing. But that's forgetting there's an actual good movie with a great performance by Monroe. We can only dream of what could've been if she was taken more seriously and all the things she could've done. Unfortunately, the 4k disc has no extras other than the booklet that comes with it, and is only available in the UK and Germany. But now that I've bought it, I'm sure Criterion will announce a new 4k filled-to-the-brim-with-extras soon, or hopefully Kino (usually cheaper).
Schizoid (1980): The guy at the used DVD store showed me this Vinegar Syndrome 4k release, and when I saw it starred Klaus Kinsky, which I don't think I ever saw outside of a Werner Herzog movie, I had to get it. Also, Christopher Lloyd has a small role, which is always fun. It's everything you love from a cheap B-movie slasher: a bit of mood, a bit of nudity, a bit of gore (not too much, that cost money). It comes packed with the movie X-RAY (aka Hospital Massacre), which is also a fun one. Solid 4k with decent extras.
Oddly enough, Schizoid is Klaus Kinski at his most restrained. Those scenes with the daughter in the film hit differently if you know what his children have said about him. For unhinged Klaus Kinski, 1986's CRAWLSPACE is one to check out. The tantrums he threw on set were just as crazy as his character's antics.
DeleteI shall hunt down Crawlspace
DeleteOmen 3 == Exorcist 3
ReplyDeleteI'm just here to say I'm already counting the days left until June.
ReplyDeleteLets F@%@ing Go!
DeleteOnly three more weeks!
DeleteWick is Pain (2025 digital purchase)
ReplyDelete{Editors Note: It is impossible for me to objectively review this documentary. Two of my very much favorite things are: the wick franchise and feature length movie documentaries. Im predisposed to adore this documentary}
I ADORE this documentary. A two hour look at the Wick franchise presented from Chad and Keanu. Tons of interviews and behind the scenes footage. Not for everyone as i think alot of the key details from within have been shown before BUT for huge fans of the franchise or action cinema, its brilliant.
It also helped me further understand why i find the Wick movies SO much better than the countless imitators that follow (some of which are very good). Beyond the incredible direction, set design, choreography, tone, and 'vibe', this documentary dug deep into: 1) Keanu's unbelievable levels of dedication and time spent training each movie. 2) the amount of practical effects..many of which i assumed had to be done in cgi. Examples: the Wick building fall in the final moments of pt 3!?, the open car spin/shoot at the arc de triumph (Pt 4), the dog stuff (pt 3), the massive stair fall (pt4) and many more.
PS: one more bananas practical shot: the "top shot" scene from 4!?!? they built an entire set for that! amazing.
DeleteAHHHHHH!!!! Ok...so several years ago a short film parody of action movies named Kung Fury dropped on youtube and went viral. Its hilarious and creative (and feels very in the vein of the equally brilliant australian show Danger 5). The creator crowdsourced and then studio sourced the money to make a feature film. It was shot. It includes cameos by Schwarzenegger and Fassbender. And we may never see it as its locked in a control/financial battle with a key contributor.
ReplyDeleteJump to today.
Someone...either on the sly...or intentionally for promotion....has uploaded a 10m "trailer" or more appropriately "sizzle reel". Its a collection of clips from the entire movie. It. Its. Batsh@t. Crazypants. Fun. Trust me, its worth checking out. If it is an unintentional leak, it'll get pulled down, but theres mirror posts going on. Its literally worth the watch for Fassbender alone.
I remember Kung Fury, it was great. I'll check out the sizzle reel
DeleteIt may be all we get to see from the movie...and honestly it might be enough....pretty hard to pull off a feature length of that type of parody/quirky.
DeleteThat's plenty for me. As you said, these things rarely go well for feature lenght
DeleteThe Russ Meyer double feature last night at the Gap Theatre was a blast. I have waited many years to get a chance to see his films on a big screen.
ReplyDeleteUP! (1976) may not be Meyer's best (Supervixens or Beyond The Valley Of The Dolls for that honor), but it sure is a delirious X-rated experience. (It does not cross the hard-core line, however.) Adolf Hitler, a serial killer, a horny policeman, several buxom ladies, and a ridiculous Greek chorus had me thinking: What? What? What the ...? I found it funny. Watching UP! on a big screen with a crowd that was laughing as well made it a better experience than it would have been seeing it at home.
1965's MOTOR PSYCHO is much tamer but still is an entertaining black-and-white drive-in flick. Three men riding motorcycles through the desert attack the people they meet along the way. Faster Pussycat, Kill, Kill is a variation of Motor Psycho. When the three men assault a woman in her home, her husband goes after them for revenge. The husband was an early role for Alex Rocco. Along the way there is the usual Russ Meyer titillation and an effective showdown to conclude the film. The scratched 35 mm print added some charm to the experience.