I now hesitate to buy any movie on physical media that I might watch only once. Friendship honesty policy: Don’t most of us only watch most documentaries once?
I thought so. The documentaries I recommend today all demand and reward multiple viewings!
the podcast soon after. When it was first shown on the PBS American Masters program, I tweeted out a warning, so that readers and listeners could watch or record it. One of the people who liked the Tweet is the film’s director and writer, Alexandra Dean! This is surely one of the best documentaries of the year—in a year that has been blessed with a bounty of winners. (Both Won’t You Be My Neighbor? and Three Identical Strangers will also knock your socks off.)
Hedy Lamar was a beautiful, glamorous Hollywood actress in the 1930s and ’40s, but she also had a brilliant scientific mind. Though no one took her seriously, she co-invented the system that lead to the guided missile technology that helped America win World War II. She was never given any credit or reward for these inventions during her lifetime. This same technology went on to form the basis of many modern marvels, some of them contained in your cellphone!
Director Dean discovered that, at the end of her life, Lamar had recorded a lengthy interview with a New York journalist for a piece he was writing, and she uses the tapes as the narration of her documentary, so that Hedy Lamar seemingly tells her own story. It’s a magnificent touch. The filmmakers even get the “Hedy? It’s Hedley!” joke from Blazing Saddles out of the way early in the film, perhaps sensing that was where most viewers had first heard her name. Mel Brooks even returns at the end of the documentary to say something truly profound. Bombshell: The Hedy Lamar Story is what every documentary should aspire to be: clear, brave, and revelatory. You will never think of GPS the same way again.
(Watch on Netflix)
This fun examination of the drive-in movie theater era (era) certainly casts its net wide when it comes to interview subjects. Everyone from drive-in owners to drive-in lovers to drive-in projectionists to Roger Corman are interviewed, and the filmmakers also include a veritable blizzard of archival photographs, snack-bar commercials, and other drive-in ephemera to make this little film the last word on the subject. There are now fewer than 500 drive-in theaters left in the United States. Watching this terrific documentary is the next best thing to hiding some friends in the trunk and actually going to the drive-in. (Watch on Amazon Prime)
“The Wrecking Crew” was the nickname for this loose group of studio musicians favored by producers like Phil Spector, Brian Wilson, Terry Melcher, Lou Adler, and Mike Post. The Crew included Hal Blaine, Carol Kaye, Joe Osborne, Bill Pitman, Glen Campbell, Leon Russell, Larry Knechtel, and Tommy Tedesco, and together had tight chemistry and a dynamic sound that shaped an astounding number of the songs you know and love. The film was spearheaded and directed by Tedesco’s son, Danny, and stands as something of a love letter to his late father.
Proving my earlier point about re-watching documentaries, I estimate that I have watched this documentary six or seven times. The film excels at explaining complicated musical ideas to laymen. I can’t think of another documentary that so consistently allows professionals to describe what they do best. Listen to Carol Kaye explain how she came up with the baseline that makes the Sonny & Cher song “The Beat Goes On” so infectious. It’s a feast for any music lover and a very sweet film to boot. (Watch on Netflix)
I find documentaries like these are perfect for folding the laundry. I hate folding laundry. I love horror movies. Since most of the information is conveyed orally, you can keep up with the film while still folding. When it’s time to watch a juicy film clip, folding duties can be put on hold. Try it—it works great. It’s my version of multi-tasking.
Content-wise, it’s nice to see When A Stranger Calls, May, and Repulsion get their due, and there’s nothing more entertaining than listening to all the interviewees talk about the exact same scare scene in Exorcist III (You all know which scene they are talking about!)
(Watch on Amazon Prime)
BONUS: If you subscribe to Film Struck, you can watch this excellent documentary, then immediately binge-watch six of Wertmüller’s films. Buckle your seatbelts—it will be a bumpy night! (Watch on Film Struck)
F For Fake is not only one of my favorite documentaries, but one of my favorite films. Definitely going to check out Bombshell. I turned off 50 Best Horror films you've never seen after the third movie they got to. If you haven't seen Basket Case, When a Stranger Calls or Silent Night, Deadly Night (the first three addressed in the film) then you might dig this documentary.ReplyDelete
I only seen The Wrecking Crew documentary. It's a must see for any music fans out there, and just a must see for anybody else who likes documentariesReplyDelete
Almost all the others mentionned were already on my list of wanted to see
I'm definitely gonna check out The Wrecking Crew, for as much as I love music, I can't for the life of me wrap my head around how music is made so thanks for pointing this out. Also, is there any place to find all the American Masters docs?ReplyDelete
Seasons 27 thru 32 are available to stream free from pbs.org. Older episodes are available for purchase from iTunes and Amazon.Delete
The documentary has always been one my favorite cinematic forms. The documentaries are the only reason I have stayed on Netflix streaming, but that is ending this month. I will give Prime a try.ReplyDelete
The Wrecking Crew is also one I have watched several times. In addition to loving the music of the 1960s, I find the film as entertaining as it is informative.
F for Fake is one of Welles' best films, as creative as any of his feature films.
If any of you are interested in film history, there is a documentary on Netflix called CELLULOID MAN. It covers the career of the pioneer of film preservation in India, P.K. Nair. With the film switching between Hindi and English, it can be a challenging watch. You have to manually turn on the subtitles for the Hindi sections.
The horror movies you’ve never seen is well done and breezy fun watch!ReplyDelete