I set out to write this column and not sound like an old coot. I failed.
A recent trip to Disneyworld (You’ve heard of it? There’s a mouse?) accomplished two things: it showed me the future and it made me feel old. The future is surely new rides that feature new technologies to simulate, stimulate, and jostle. I once bemoaned the fact that many new rides at neighboring Universal Studios were all intense motion simulators featuring 3-D graphics on screens. I wondered why Universal didn’t just combine The Simpsons Ride, Spider-man, Jimmy Fallon: Escape from Celebrity, and The Transformers Ride
into one single ride experience; you board your vehicle and are then shown each ride movie in turn, accompanied by the appropriate, synchronous jostling of each rider. Fifteen to twenty-five minutes later, and you would have ridden half the rides in the park! My preference has always been old-school “physical effects” rides, like Disney’s It’s a Small World, The Haunted Mansion, Pirates of the Caribbean, Jungle Cruise
, and Universal’s Jurassic Park, ET
, and late, lamented Jaws
TANGENT: Because I can no longer walk any great distance, never mind the seven to ten miles required of a typical visit to Disneyworld, I rent one of those little scooters. (Yes, I am that foxy grandpa in the motorized cart, nipping at your heels, getting too close to you at corners, and almost running over your children. That’s me!) While the scooter makes the theme park experience less exhausting, it does tend to turn your entire day into one big ride. I like being jostled as much as the next guy, and clearly all the newer rides have been engineered to jostle you in new and better ways, but some of the terrain at Disney is downright punishing. When we visited Disney’s Boardwalk, a recreation of Thirties’ era (era) Atlantic City, I was not prepared for the simulated boardwalk to give my butt a wild, un-simulated Shiatsu massage. Similarly, the “authentic brick streets” of Liberty Square were punishing to the head, neck, and groin areas. The king of all rough terrain, though, was the “Streets of Batuu” in the new Star Wars
Land, Galaxy’s Edge. With apologies to Jerry Lee Lewis, it shook my nerves and it rattled my brain. To much jostling drives a man insane.
The two rides that captured my attention and imagination on this trip, though, were Mickey & Minnie’s Runaway Railway
and Star Wars: Rise of the Resistance
, both in Disney’s Hollywood Studios. Both rides have been open for less than two years and feature technologies that define “state of the art.” In the first ride, you board an old-fashioned steam locomotive piloted by Goofy. In the latter ride, you are a Rebel recruit on a routine training mission. On both rides, something goes horribly wrong.
TANGENT: I remember reading a very funny essay a few years ago, and try as I might, I cannot find it anywhere on the Google machine, or I would provide a link. The author used the most basic use of irony (the feigning of ignorance in an argument) and wrote a tongue-in-cheek review of Universal Studios where he faulted the rides because somehow, “something would always go wrong.” He said that Universal should be worried because their rides always go haywire and the tourists are called on to help make things right. On the Jaws
ride, the boat is driven into the wheelhouse with the shark in it, in Jurassic Park
, the boat enters the containment building with the raptors in it, on The Simpsons Ride
, Sideshow Bob seizes control of your ride vehicle in an attempt to kill Bart, and on Transformers; The Ride
, the bad robots burst in and it is up to the tourists to protect the “AllSpark” or whatever the hell that MacGuffin was called. You get the idea. The essay was hilarious and effectively pointed out a certain sameness in all of these rides.
The “Something Goes Wrong” trope was mercifully absent in Disneyworld for the longest time. Natives did not run amok on the Jungle Cruise
. Tourists did not flee revenge-seeking, murderous spirits in the Haunted Mansion
. A revenge-seeking, murderous Uncle Remus did not seek retribution by throwing tourists over a waterfall to their deaths on Splash Mountain
. Disney was safe. Both new rides I’m discussing here prominently feature the “something goes wrong” trope.
TANGENT: I will admit my bias here because Mickey & Minnie’s Runway Railway
replaced one of my favorite rides of all time: The Great Movie Ride
, which I feel confident in thinking was also a favorite of many F This Move! readers. The Great Movie Ride
was long and tried to teach you things. Runaway Railway
is short and exists to jostle you, albeit in an entertaining fashion. Don’t get me wrong. I love both rides. But I do see a big difference. Runaway Railway
is short. More tourists can ride Runaway Railway
per hour. Most kids will find Runaway Railway
a lot more fun than The Great Movie Ride
. There’s an effect in the pre-ride cue of Runaway Railroad
that’s so amazing, I’m still trying to figure out how they did it. Most children I know would prefer “being part of a crazy cartoon” over receiving a 20-minute lecture on the History of American Film, even if, at one point, a gangster kidnapped the tourists. I still miss The Great Movie Ride. (Sniff.)
Both new rides try “to place you in a movie” and are very successful. The comment I heard most about Star Wars: Rise of the Resistance
ride was that it felt as if you were actually a character in the film. This is fun. The key to both experiences was the new “trackless ride system” that features cars that can literally go anywhere and jostles you in new and unpredictable ways. Several times on both rides, our car went one way and two other cars went another, meaning some riders were having a completely different ride experience than others. This means repeat business, as tourists ride more than once to experience every permutation! My wife commented that the trackless system actually gives tourists a “false sense of freedom,” of being “out of control,” because she was betting the new system was more controlled and more precise than old-fashioned tracks; it’s just a better “illusion of chaos.”
Again, I enjoyed both rides immensely. I spent a long time on the flight home, thinking about all we have lost and all that we have gained. I couldn’t stop thinking about something Bill Maher said a few years ago about entertainment in general. It certainly applies here to my theme park experience. He said, “Everybody wants to BE the show; Nobody wants to SEE the show.”
Outstanding write up JB!! I appreciate your deep dive into the evolution (devolution?...Come-on-baby-do-the-locomotion?..) of the disney experience.ReplyDelete
Personally my disney time is limited..couple trips when i was young and a relatively recent with my kid. I originally considered the "3d motion rides" more or less a cheat as a way to get alot more people thru a kinda/sorta experience. That being said, i think they've come a long way and are finding ways to increase the imersiveness and scope. Examples include the Rise of Resistance you mentioned, the two motion rides for Potter, and the Avatar stuff. Dont get me wrong...i was (and am) crestfallen that i wasnt able to introduce my son to the 20000 Leagues submarines BUT im pleasantly surprised at the current status of the experience (with exception of insanity that is line length) and what the future holds. These rides manage to take a relatively contained space and teach us all that....(joke coming in 5...4.....3.....2.....).....maybe its NOT such a small world after all.
Good stuff JB! I just went to Disneyland for the first time in ages weekend before last so it's fun to read a little about your experience over at Disney World around the same time. Disney+ also released the first 5 episodes of "Behind the Attraction" a week ago which has helped keep me in that headspace a little longer after getting back.ReplyDelete
Thanks for reminding me about that “Behind” series, Ross. I’ve been looking forward to it. Disney +’s earlier series “The Imagineers” was really well done.ReplyDelete
I had no idea how much I wanted to see a revenge seeking, murderous Uncle Remus until just now.ReplyDelete
Yes, forget Disney’s recent announcement that they’re remaking The Haunted Mansion movie, I want to see “Song of the Veangeful South.”ReplyDelete
There’s a sinister legend ‘round these parts. They call him the “Zip-A-Dee-Doo-Dah Man”.ReplyDelete