by Adam Riske
I love 1950s monster movies, even the bad ones. The best “bad” one I’ve come across is 1959’s The Monster of Piedras Blancas. Its detractors complain the movie is sluggish, amateurish and derivative and that the monster is only seen during the film’s climax. I think those people are missing the point. Part of The Monster of Piedras Blancas’ charm is that it’s a little indie monster movie so hopelessly under-budgeted that it can’t help but come across like a missing favorite from the Edward D. Wood Jr. catalogue. I mean, the movie didn’t win the Famous Monsters of Filmland Magazine’s “Shock Award” for nothing. What I love about The Monster of Piedras Blancas is that it’s the classic second movie of a drive-in double feature; it’s the type of movie that movies that reference bad 1950s monster movies are referencing. In an interesting bit of trivia, the movie was actually used as the stand-in for a drive-in movie in this year’s Grease: Live. The Monster of Piedras Blancas is like as if MANT! (from the movie Matinee) were a real thing.
Flash (aaaaaaaaahhhhhaa) Gordon. I forever fell in love with The Monster of Piedras Blancas on that day. It was a movie I had never heard of and it took me completely by surprise. Before we go any further, let’s dispense with a plot summary and some backstory on the film.
The setting is the sleepy lighthouse town of Piedras Blancas. Sturges (John Harmon, who gives a sort of excellent but not excellent performance) is the lighthouse keeper of the town and is very superstitious and concerned for the safety of his young teenage daughter, Lucy (Jeanne Carmen). He leaves food for a sea monster who lives in a nearby cave. The locals disregard him at first, but they begin to take notice when the bodies of people murdered by the monster are found on the beach. A local scientist identifies a scale as being from a prehistoric humanoid presumed long extinct.
Here’s the movie’s trailer:
The film was independently made, written and directed by Irvin Berwick and heavily influenced by The Creature from the Black Lagoon. The Monster of Piedras Blancas was produced by Jack Kevan, who had supervised the manufacture of the Creature suit at Universal-International, and created the Piedras Blancas monster costume (which admittedly kind of sucks and looks like a warthog mixed with Gill-man). Both men were toiling in obscurity as contract employees at Universal-International. The Monster of Piedras Blancas also employed several of Kevan’s former Universal associates on the movie, including its soundman Joe Lapis and prop master Eddie Keys. The film was budgeted at $29,000 as Universal gave the filmmakers great deals on production vehicles and equipment due to the company being in a period of budget problems. Helping The Monster of Piedras Blancas production was seen as a way of helping many of the studio’s laid-off technicians who found work on the independent film.
Carnival of Souls and b) it showed me things in a 1950s monster movie I had never seen before, including a shocking scene of onscreen gore when the monster makes its entrance carrying a bloody human head and later a shot of the same head with a crab crawling on its face. This is shit you never ever ever see in a 1950s monster movie. It was during this first gore scene I realized that I loved The Monster of Piedras Blancas. I was suspecting I was digging it leading up to that moment, but then I completely fell head over heels with the movie. The only other time gore made me love something was maybe the opening sequence of Wishmaster.