No, I am not exaggerating. James Whale’s 1932 film The Old Dark House (the once-thought-lost film he originally directed between Frankenstein and The Invisible Man) has never looked particularly good, reflecting its provenance.
Whale friend and fan, filmmaker Curtis Harrington, was single-handedly responsible for rescuing the film from oblivion in the 1970s. Universal had allowed the film’s copyright to expire in 1957 and had little interest in its continued commercial success. My understanding is that every home video iteration of The Old Dark House was sourced from this Harrington print… until this one.
The Plot In Brief: Philip and Margaret Waverton (Raymond Massey and Gloria Stuart) are travelling with their friend Roger Penderel (Melvyn Douglas) when a storm forces them to seek shelter in the titular domicile. The house belongs to the weird Femm family: skittish Horace (Ernest Thesiger); abrasive, religious Rebecca (Eva Moore); elderly Roderick (John Dudgeon); and mysterious Saul (Brember Wills). Although Phil and Megs are denied beds for the night, the Femms agree to let them stay and provide a dinner of sorts. Sir William Porterhouse (Charles Laughton, in his film debut) and Gladys Perkins (Lillian Bond) arrive, also seeking shelter from the storm. Our plucky group simply needs to wait out the storm—what could possibly go wrong?
I cannot say enough about the transfer. What was once murky and plagued with grain and scratches is now clear and sharp and steady. This is one of the best transfers of a black and white film that I have ever seen, and I aggressively recommend that all of you add this disc to your collections. Imagine what would happen if this esoteric, niche release made a ton of money. Dare I suggest that then we would get… MORE JUST LIKE IT? (At this juncture, the writer must take a moment to control himself, as he is besieged by strange and violent paroxysms of delight.)
(Deep breath.) There… that’s better.
Gloria Stuart so impressed Whale as Margaret that he cast her in The Invisible Man the following year. I have read that the audio commentary Gloria Stuart recorded for the original laserdisc release of The Old Dark House was what brought her to the attention of James Cameron, who cast her as “Old Rose” in 1997’s Titanic. I believe it. Gloria Stuart’s character narrates Titanic, and her audio commentary serves as a ninety-minute voice-over audition.
Die, Monster, Die!, The Old Dark House is the granddaddy of this particular subgenre. You’ve undoubtedly seen dozens of riffs on this familiar theme: Some people are forced to spend the night in a creepy mansion. (The reasons for this vary, but two favorites are inclement weather and the reading of a will.) Creepy stuff happens, and in the climax we discover the unexpected (or totally expected) source of the creepiness. Sound familiar?
Watching The Old Dark House reminds us that even familiar tropes were once fresh. The film hits every important mark associated with the subgenre: it provides an excellent cast at their best; rich, developed characters; a genuine level of creepiness; and a satisfying denouement. This may be in part because it is based on a novel (1927’s Benighted by J.B. Priestly, who is credited as a writer for the film.) The film’s successful execution is why this plot became an archetype: it’s not responding to conventions, it is creating them. Whale made the film at the top of his creative powers; the string of films he made before and after is unmatched. I think the uniquely powerful alchemy of these factors make The Old Dark House necessary viewing for film fans; this stunning new 4k transfer makes it thoroughly enjoyable.
(Thrilling to see this director and this cast at the peak of their talents.
Also thrilling to see an 85 year-old film look this nice and sharp.)
(The film drips with atmosphere and suspense, from the sets, costumes, make-up, and lighting to brother Saul’s obsession with candles, butler Morgan’s obsession with Margaret Waverton, and brother Horace’s obsession with starchy root vegetables.
(Some impressive fights: Penderel’s wrestling match with Saul and the entire male cast attempting to subdue Morgan. Fun)
By the way! Speaking of stunning 4K transfers, friend of the site Mike Piccoli recently caught the new 4K re-release of the 1968 Night of the Living Dead at the happiest place on Earth, Chicago’s Music Box Theater. Mike reports that it was “the most beautiful thing [he has] ever seen.” This Halloween season has brought with it an embarrassment of riches. Imagine a day when all public domain eyesores are returned to their proper status as art. I have heard a rumor that this new 4K scan of NOTLD is a possible Criterion Blu-ray release next year.
Fingers crossed, fellow monster kids. Happy Halloween.