The UCLA Film and Television Archive and the folks at The Film Detective have done us all a favor. They have reclaimed this treasure. This new transfer is immaculate and beautiful and should lead to a reappraisal of the film. Not only does The Vampire Bat look, sound, and feel like a lost Universal horror film, portions of it were even filmed on the Universal back lot’s famous European village standing set. This fact alone impels all of us to give this film a fresh viewing and take one more walk through our beloved “Monstertown.”
White Zombie, which sought to “cash in” on Bela Lugosi’s newfound success in the months immediately following the release of Dracula, 1933’s The Vampire Bat finds famed B-studio Majestic cannily exploiting the monster craze that began with Universal Studios’ release of the classics Dracula and Frankenstein (both in 1931) and Warner Brothers’ release of Doctor X (1932) and Mystery of the Wax Museum (filmed in 1932, released in 1933).
So Majestic gives us a plot and an actor (Dwight Frye) cribbed from Dracula; sets, costumes, and a (rented) Universal Studios backlot from Frankenstein; and the stars of Doctor X and Mystery of the Wax Museum, Lionel Atwill and Fay Wray (Wray had just starred in RKO’s King Kong the previous year.) For extra flavor, Majestic throws in Melvyn Douglas from James Whale’s 1932 film, The Old Dark House. Put this all together and you come up with the type of black-and-white horror amalgam that I might have dreamed up as a 12-year-old “monster kid” falling asleep atop a stack of library books about my beloved classic horror films.
The restoration on the new Blu-ray disc of The Vampire Bat is impressive. They began with another public domain, dollar-bin VHS eyesore and resurrected it into this highly watchable gem. Though the sharpness, grain, and amount of scratches vary from scene to scene, I cannot think of a single person familiar with previous releases of this film that would declare the new version less than glorious. The transfer alone should prompt some readers to take a good look, especially during Scary Movie Month.
The Vampire Bat looks backward toward this simpler style. Though it has the outward trappings of a “sound” horror film (the cinematography, art direction, performances, and actual SOUND coming from the screen) The Vampire Bat keeps one foot firmly planted in that silent-era (era) tradition. The Vampire Bat gives us a detective character attempting to explain away the horror straight from London After Midnight, the dime novel “who will succumb next?” trope from the last half of Nosferatu, and the “kindly old doctor who may or may not be so kindly” from The Cabinet of Dr. Caligari.
The Vampire Bat Official Thrill-O-Meter Reading: 80%
(So much fun to be back on the Universal backlot in 1932/Some effective scares)
(A potent atmosphere or dread and mystery/Nice suspense throughout)
(Wonderful night sequence where the villagers go hunting in Bronson Canyon, and (SPOILER ALERT) someone falls! This sequence is augmented with modern technology: the villagers’ torches are in color!)
Why are you still reading this? This will be the best 20 bucks you spend during all of Scary Movie Month; buy this now before a bat bites you.