Rob: Welcome to Reserved Seating. I’m Rob DiCristino.
Adam: And I’m Adam Riske.
This was my first viewing of Fever Pitch, and while I can’t go as far as to call it a good romantic comedy, there’s certainly enough charm and baseball ephemera to make for a fun time. Adam, you said offline that Fever Pitch is an old favorite of yours. How did it hold up on this viewing?
Adam: It held up this time. I’ll explain. I’ve had a tumultuous journey with Fever Pitch over the years. I went to see it opening weekend back in April 2005. It was the perfect time for me to see this movie. I love baseball. I was excited that a new season was about to begin (it ended up being THE BEST SEASON because my Chicago White Sox won the World Series that year) and I was at a time in my life where I was in between relationships and desperately wanted to meet my next Lindsey, so to speak. This movie checked all of my boxes back then. I also really appreciated that it got a lot right about being a baseball fan, too. Everything I enjoyed about Fever Pitch outweighed my dislike of Jimmy Fallon and the weird margin elements that come with most Farrelly Brothers films (e.g. their casting, people with orange tans).
You’ve Got Mail mode. She can do this part in her sleep, but she has an air of professionalism that seems likebly swaggerish. It’s one of my favorite Drew Barrymore performances.
Fallon works here because he’s playing a man-baby and he annoys me as a man-baby. The character is someone who hasn’t been challenged much in life and is being forced to grow up in order to keep a woman who is more emotionally mature than he is. As a couple, the two work because each brings something unexpected and appealing out of the other that wouldn’t have come out of their personalities if they weren’t together. I rooted for them to be together, and that’s 90% of the battle in a romantic comedy. I also remember having an “A-Ha!” moment when I saw Fever Pitch in theaters because I was wondering why Drew Barrymore and Jimmy Fallon were on the field with the Red Sox after they won the 2004 World Series. At the time I was like, “Entitled Hollywood types” and then I realized it was for a movie, so it was ok.
I was making my usual list of logical inconsistencies (No teacher would be transporting students to a field trip in his personal car) and questions that were gnawing at me (Did they end up watching Road House, or not?), but the more I thought about it, the less I minded how often the movie falls into typical rom-com tropes. I wasn’t bothered by how goofy and formulaic it was because, as you said, the leads have decent chemistry and a genuine conflict in the way of their relationship. My major issue was with the pacing and exploration of that conflict: There’s about thirty minutes of wheel spinning in the middle of the movie, and the couple survives something earlier on that feels more catastrophic than what eventually causes the Second Act Breakup. It seemed a little out of order. It’s a minor thing, I guess. I just would have liked a bit more variety to keep the narrative propulsive.
So, I have a question: It’s well known at this point that the screenplay was rewritten to coincide with the Red Sox historic playoff run and World Series win. I didn’t even see the movie in 2005, but I knew that. It’s just that I always assumed the novel and original 1997 British film (both of which are about the lead character’s love of the Arsenal football club) were about being obsessed with teams that never won. It turns out that Arsenal won it all in 1989, and, according to the internet, both the novel and original film reflect that. How, then, were the makers of this Fever Pitch planning on ending it? There’s a pretty big shift in thematic weight depending on which ending you go with, isn’t there? Am I going insane?
We need to talk about how weird this movie is in its little details. What’s with the music intros and outros? There’s one where we’re going to a house party and the cue is this super emo guy singing “I’m never HAPPY WHEN IT RAAAAAIIIIINNNNSSS” and then it just fades away. Another one is when Barrymore walks in on Fallon while he’s forcing a “Who wants Yankee tickets?” dance-off on his friends and the song goes “Yowza! Yowza! Yowza!” Or near the end, after Barrymore and Fallon sleep together, we cut to her in the kitchen cooking and she’s singing “There. Are. Three. Eggs. In. A. SPANISH OMELET.” Like...these are things you cut, right? Why does Jimmy Fallon’s voice squeak whenever he goes “What are you doin’ here?” Why didn’t they go for another take of that? It sounds ADR’d, so are they deliberately including it just to fuck with me?
Rob: It feels like the vibe on set was “Look, we all know Drew is funny, and we’ve got this up-and-coming comic in Jimmy Fallon, so let’s just let loose!” Probably in the looping sessions, too. “Hey Jimmy, you got a joke for this? Throw it in!”
Adam: I mentioned earlier the “locals” casting. The Farrelly Brothers do this thing where they basically cast their east coast friends in parts too big for east coast friends and are like “See...isn’t Sarah funny???!!!!” My favorites: a) the one friend of Barrymore’s whose sole purpose is to have the button joke to end a scene (“Die you Nazi Spin bitch! or “That’s it! We’re never coming back here!”) and everyone makes a womp womp womp face; b) the JV baseball coach who’s like “[Fallon], you should coach the team next spring. The kids listen to you.” I just imagine this guy as a dude who’s at the end of his rope and the team has tuned him out. Getting Fallon to come aboard is his last chance at saving his coaching gig. One more: C) the owner of the private jet company who’s like “That sounds like just what I need” when Barrymore’s boss says she’s good at math or something. The private jet guy’s facial expression is all “Why didn’t I think of math? Math sounds pretty good.”
Did you have any favorite weird moments or side characters? Who was your favorite Red Sox player on the 2004 championship team? The correct answer is Kevin Millar.
Where would you rank Fever Pitch among the baseball movies we’ve covered so far, and what qualities do you think are necessary for a movie to be a “baseball” movie? Outside of just references to the game, I mean.
Adam: In order of preference: A League Of Their Own, Field of Dreams, Fever Pitch, Major League, Bull Durham, Trouble With The Curve, The Jackie Robinson Story, For Love Of The Game. A baseball movie is like a porno: you know it when you see it. And people hit home runs in both.
Rob: Swap Fever Pitch with Bull Durham and I think our orders are the same.
Adam: Secret baseball shame: I like to write fake MLB Network reactions via text to one of my friends whenever a free agent signs or a big player gets traded. It’s a parody of how excited they get about everything. Want to hear my ones for Bryce Harper and Manny Machado? They are best when read in the voice of Kevin Millar on Intentional Talk (Please say yes).
Rob: Nothing would give me greater pleasure.
“Manny picking The Friars. 300 large. That’s a lotta prime rib at Hunter’s Steakhouse. Splurge on sides, pistol, you’ve earned it. Make a baby tonight, you got the scratch. Sunday alternate home camo uni’s. I love it.”
“Manny’s in Diego for his big time physical with the Friars today. They’re gonna check him from the roots to the toots before he struts around La Jolla Cove. Our wolfpack has a new cub, Eric. Red carpet Hosmertality for the new face!”
“Who’s getting Bryce-aroni? Is he the SFrancisco treat? Ringing the Liberty Bell for the Phils? The Old Manny bucks from the ChiSox all guaranteed straight no chaser this time? Who’s pulling the lever on the Las Vegas jackpot? Big daddy sells merch, moves units. You want a face for your place? Harper turned MLB into The Show!”
“Hope you like music Philly fans. For 13 years, you’re playing The Harp! $330 million smackeroonies. That’s a lot of cheesesteaks. Mayor just called. No jughandles for Bryce!”
“Phillies ownership answered the call. The Bryce was right for $330 mil. City of Brotherly Love showing my brother some love, scooping up stubs and shirts at a record pace. 13 years. That’s enough time to have a baby, convert to Judaism and go Mitzvah!”
Rob: Man, that is painfully accurate. I can’t wait until Phillies fans remember that time Harper got into a fist fight with Jonathan Papelbon when they were both Nationals. As if we didn’t need more reasons to love him. Mark Ahn for B-Harp and Fever Pitch! What are we doing next week?
Adam: Our All Pacino series returns for the relatively recent and decent Danny Collins. Until next time…
Rob: These seats are reserved.