by Adam Riske
• Best Scene/Moment: The scene where Amanda Peet gives Ben Affleck a disturbingly calm monologue about how she demands that he lie, cheat and steal for them to maintain their privileged status/lifestyle.
• Best Song: An end credits cover by Annie Lennox of Bob Marley’s “Waiting in Vain.” The only other option was Ludwig van Beethoven’s “Ode to Joy,” which was one of the very few songs I knew how to play on the guitar because it didn’t require me to know chords. I was bad at guitar.
• Best Merch: A 2-page color newspaper ad for Changing Lanes from The New York Times for $18.99. I wish you could get at least the whole paper for that amount, but I guess beggars can’t be choosers. I miss the days when movies took out newspaper ads. You knew the movie was a big deal when they were in color and took up an entire page.
• Director Check: Changing Lanes was directed by Roger Michell. After beginning his career with some smaller films, he scored a big mainstream hit with 1999’s Notting Hill starring Julia Roberts and Hugh Grant. Michell followed up that film with Changing Lanes, which was critically acclaimed in 2002 and a modest success at the box office. Michell worked consistently throughout the rest of his career directing mid-budgeted studio fare like Morning Glory and indies such as Venus, Hyde Park on Hudson, and My Cousin Rachel. Michell sadly passed away in 2021 at the age of 65. His final film, The Duke, was delayed for release due to the pandemic. It is scheduled to come out in the UK this February. Now I feel like re-watching Morning Glory.
• Double It with This 2002 Movie: Insomnia
• Year 2002 Movies to Trailer Before It: Star Wars: Episode II - Attack of the Clones, The Sum of All Fears, XXX
• Draft Day or Changing Lanes? Draft Day
• Mall Movie? No. This is a mid-budgeted drama aimed at adults with A-list stars. It would play at the fancy theater in town. Also, it’s Paramount and The Mountain rarely made mall movies circa 2002 except for things like Jackass: The Movie.
• Only in 2002: The Paramount Pictures 90th anniversary studio logo that opens the movie.
• I Miss: Sydney Pollack.
• I Don’t Miss: Fax machines.
• 2002 Crush: Amanda Peet.
• 2022 Crush: Amanda Peet. The collared shirt/sweater combo really works on her.
• What I Think in 2022: It’s still a really good movie. Both Samuel L. Jackson and Ben Affleck give layered, compelling performances and setting the tone of the film as a thriller keeps the themes from becoming too preachy. It’s a rare parable (compared to nowadays) about choosing morality and empathy over wealth and convenience. This is the type of movie you could pick up at any scene on TV and watch through to the end. It’s just good scene after good scene.
You know, I never saw this and I didn't even realize somehow that it was well received critically. Your review makes me want to watch it for sure! I love this era of Affleck and anything involving Amanda Peet (I even watched all of Studio 60 on the Sunset Strip).ReplyDelete
I really miss this kind of Sam Jackson performanceReplyDelete