Thursday, November 15, 2012

My Favorite Bond: Mark Ahn on The Spy Who Loved Me

Roger Moore had the hardest job out of everybody.

Sean Connery will always be remembered for being James Bond, and Daniel Craig has captured the public imagination with the current run of Bond films, with Pierce Brosnan generally accepted, Timothy Dalton appreciated but seldom mentioned, and George Lazenby mostly forgotten. Which leaves Moore, whose reception ranges from being considered just as iconic as Connery to being the least-liked Bond.

There are definitely legitimate reasons as to why Moore is received so negatively: Moore looks better in a tuxedo than throwing a punch (more Bruce Wayne than Batman, as my friend puts it), was almost 60 at the end of his tenure, and made some absolute clunkers (Moonraker and Octopussy in particular).

But, the obstacles he had to overcome were the biggest. He had to follow the iconic Connery, whose role was world-building. Not to underestimate this task, but even if Connery had failed, as the pioneer of the role, he and the creators still had the freedom to interpret Ian Fleming’s material to make the character what they wanted. Once the series got going, Connery’s physique, voice, and a slew of wildly popular films created an even larger mountain to climb for whoever followed him. How do you follow or replace something that was working and successful on multiple levels?
After Lazenby left the series, Moore and the creators had to figure out how to make a Bond that was different but still could sustain the franchise, and he made a choice that perhaps wasn’t the most popular, but he stuck with it; he planted his tongue more firmly in cheek, played with the humor, and twinkled his eyes on camera every chance he got. His Bond was a little more cerebral, a little more sly, and a little more unwilling to leave the casino or the cocktails, as if he wasn’t as interested in mucking it up with the riffraff.

What doesn't change, however, is that my first memories of James Bond (and movies in generally, really) were of Roger Moore. He was the guy in the tuxedo when I got hooked on the car chases, gadgets, and girls while watching the network re-runs on Sunday nights as a kid. I didn’t care about that weird mole that Moore has on his face, or that he wasn’t Connery because I didn’t know who Connery was.

The Spy Who Loved Me is probably the best of the Moore films. It's solid in all of the traditional ways that makes Bond movies enjoyable: a kick-ass opening ski chase, the good guy gadgets (I love that Lotus submarine), bad guy gadgets (Atlantis) and a terrific bad guy in Karl Stromberg (played by Curt Jurgens) who is ostentatiously diabolical. But what makes this movie distinctive from the others comes down to two ingredients:

1)  Barbara Bach as Agent Triple X/Major Anya Amasova 
In the years after the Moore movies, before the Brosnan era brought about a new Bond, a new M, and a new Moneypenny, there was some discussion about having 007 be a woman. The first female character who could theoretically match Bond’s wits, secret gadgets, and sex appeal was Agent Triple X, the KGB’s top agent (I love the character’s reveal at the beginning of the movie). 

Forced into cooperative action with Bond to take down Stromberg, she’s believable as a spy and poking fun of stymying Bond’s advances, although still gets tossed around like a rag-doll in fight sequences. As much as I’d love to say this is a great leap forward for Bond women, the KGB’s top agent is still tied to a chair in a bikini at the end (we don’t get the leap forward into a true female ass-kicking agent until Michelle Yeoh). Although to be fair, Triple X’s appearance also set a precedent for stronger female characters in the films for the rest of Moore’s run (Dr. Holly Goodhead, crossbow-wielding Melina Havelock, Octopussy the crime-boss, and Grace Jones). Despite the silliness, Amasova is good and believable enough that when she threatens to kill Bond for having killed her lover, you believe it. 

2)  Jaws
Part of what makes Jaws so effective is his simplicity. He never makes a noise, he’s indestructible, he always wears a suit or suspenders, and instead of using guns or knives or something practical for an assassin, he bites you. In the neck. He not only has the strength appropriate to a 7 foot tall killer, but his jaw muscles are strong enough to bite through chains and sharks. Bond might have faced billionaire megalomaniacs, or physically imposing henchmen, but he never faced anyone who represented the physical danger combined with the cunning of Jaws. Did wonders for my childhood fear of vampires.
Favorite Bond Actor: Sean Connery

Favorite Bond Theme Song: “View to a Kill” by Duran Duran. It’s a terrible song! But it makes me nostalgic and happy the way that Bond movies from the era do. “Diamonds Are Forever” by Shirley Bassey is also fantastic.

Favorite Bond Girl: Carole Bouquet (Melina Havelock in For Your Eyes Only), Barbara Bach (The Spy Who Loved Me), Claudine Auger (Domino in Thunderball).

Favorite Bond Villain who is not Jaws or Oddjob:
Rosa Klebb (From Russia With Love), Mr. Wint and Mr. Kidd (Diamonds Are Forever)

Favorite gadget from Q: Lotus submarine (The Spy Who Loved Me)

Underrated Bond Movie: For Your Eyes Only

Bond Movie I Shouldn't Like But Do: The Man with the Golden Gun

Least Favorite Bond Movies: Die Another Day, Never Say Never Again

Previously on "My Favorite Bond":
Alex on GoldenEye
JB on Goldfinger
Patrick on On Her Majesty's Secret Service


  1. I just wanted to say that I like Duran Duran's "A View to a Kill," too. Maybe it's not the greatest, but it's a fun song with a great "mid-'80s" feel to it.

    Fun fact: It is the only Bond song to hit #1 on the Bilboard Hot 100 chart.

    "The Spy Who Loved Me" is definitely the best of the (mostly underwhelming) Moore movies. I specifically love Jaws.

  2. What's weird is that Jaws only appears in two Bond movies; he looms much larger in my memory.

  3. Agreed! It feels he's been in a greater number of movies than he he actually is, when in reality, Blofeld has certainly been in more. I'm sure he (Blofeld) wins the "most recurring villain" award. Jaws is definitely more memorable to me, though.

  4. I do like "The Spy Who Love Me" but I think that "For Your Eyes Only" edges it out slightly as my favorite Moore outing (despite the fact that he was already too old). I just like the old-school Cold War throwback nature of the MacGuffin -- a code translator device rather than some nutcase hell-bent on destroying the world. I also think Topol makes one of the better Bond sidekicks. It would easily be the winner if you could excise all of Bebe's scenes.

    I'm a big Jaws fan, Moonraker aside. And yes Moonraker is a total dud, though I think it has one of my favorite double entendre lines of the series, when Q says "I believe he's attempting re-entry, sir." Not sure why, but it makes the teenager in me laugh every time.

    1. I do like "For Your Eyes Only" a lot, too. Agree with all of what you're saying, and on top of that, it probably has one of the best posters of all the Bond films.

    2. Bibi can be pretty damn annoying, but she leads to a great line from Bond when she tries to seduce him: "You put your clothes on, and I'll buy you an ice cream."

      For Your Eyes Only is one of my favorites as well. I still remember watching it in the theatre, on the edge of my seat during the mountain climbing sequence. Love Melina too - she fires one mean crossbow.

      And props to The Spy Who Loved Me for the single most impressive set in a Bond film, the inside of the Liparus. I'll even take it over the volcano set for You Only LIve Twice.

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