Erich: The Trip to Italy (2014; dir. Michael Winterbottom) It's cold, the world is crummy, and the Oscar nominations are a joke. What better way to get away from it all with a trip to Italy with comedians Steve Coogan and Rob Brydon. This follow-up to their more succinctly titled The Trip takes the winning formula of fine dining, celebrity impersonations, and melancholic musings to Southern Europe. This lightly fictionalized travelogue is just as funny as the original. I usually hate the way sequels repeat material, but when Coogan and Brydon launch into a new Michael Caine-off it feels more like a rock group playing their hit song in concert. As in the first film, the cheeky rapport has an undercurrent of sadness. The things that happen during the trip range from inconsequential to potentially devastating, hanging it all on the complicated friendship between the comedians. They make the film. The mouthwatering food and stunning vistas are a bonus.
Heath Holland: Mean Girls (2004, dir. Mark Waters) I watched this movie when it was new in 2004 and haven't thought much about it in the time since then. When the missus fired this up the other night, I wasn't expecting much, but was totally sucked in within just a couple of minutes, and laughed like a damn fool for the entire duration. I had forgotten how sardonic and biting Tina Fey's screenplay (based on a book by Rosalind Wiseman) actually is, and it reminds me how much I used to enjoy Fey before her schtick became too much for me. Luckily, it's dialed back to tolerable levels here, and most of the performances steer clear of caricature. I'd also forgotten how much talent is in this movie: Lindsay Lohan, Rachel McAdams, Lizzy Caplan, Lacy Chabert, and Amanda Seyfried have all worked steadily in the last 10 years (in some cases, when not in jail), and there's a ton of other recognizable faces. Furthermore, I've been assured by an actual female that this is how girls act, and that it doesn't stop when high school ends. This is not something that would normally be on my radar, but I'm glad I revisited it.
JB: Altman (2014, dir. Ron Mann) Clearly, given the subject, this documentary could have been five times longer and just as enjoyable. Robert Altman is one of the ten greatest directors in movie history*. Great clips (in primo quality), great interview segments with Altman himself, even Altman family home movies! One could quibble about how Altman's favorite actors are used (it is a major quibble) but there is a banquet here for the film lover, a banquet that should not be missed. Director Ron Mann has made other pop-culture documentaries I have enjoyed, like Comic Book Confidential, Twist, and Grass, none of which are available on Netflix anymore.
SIDENOTE: As opposed to evil corporations like Sonos and Comcast/Xfinity with business models designed to ensnare, enslave, and bilk, Netflix seems of late to be investing in technical upgrades. The last few films I have streamed (on Apple TV, Sony blu-ray player, and Apple tablet) have looked nothing short of stunning. The Netflix Instant Streaming picture quality far exceeds Comcast's On-Demand cable picture quality, and Comcast is hard wired, for Pete's sake!
* The others? In no particular order: John Ford, Alfred Hitchcock, Orson Welles, Billy Wilder, Stanley Kubrick, Francis Ford Coppola, Steven Spielberg, Martin Scorsese, and Quentin Tarantino. I know--your favorite did not make my list.
Patrick: Wetlands (2014, dir. David Wnendt) I was just talking about this movie a few podcast ago, and now it's brand new on Netflix Instant! Wetlands (aka Feuchtgebiete), a German film based on the best-selling novel by Charlotte Roche, is crazy gross and uncomfortable as lead character Helen (Carla Juri in an amazingly brave and warm performance) is obsessed with her own sexuality and bodily functions. There is stuff in here that made me wince more than any horror movie, but that's sort of the point -- director Wnendt is forcing us to confront our hang-ups about stuff by making it as extreme and graphic as possible. But Wetlands isn't just shocking for its own sake; in fact, if you can get past the gross body stuff it's a really sweet and, dare I say, gentle romance and coming of age film. It just happens to be one centered around an anal fissure. If you know what you're in for, there is so much to like in this movie.
No Howard Hawks? For shame!
ReplyDeleteI was thinking of doing a similar mock cry of 'your list is not very diverse sir in terms of all being male and from a certain area and race (we Europeans are annoyingly inclusive bla bla)' but changed my mind as it is a great list and no joke needed. Very much want to see Altman this weekend if I can.
DeleteHeath, your writeup makes me think of another "friend" scenario that could apply to your column the other day. The long lost friend. A movie that you liked at first, then forgot about, but were later reunited with and had fun, fond memories and good times. I don't know if that totally applies to Mean Girls for you, but it sounds like a similar situation, anyway. I also recently rediscovered Mean Girls and was surprised how much I enjoyed it.
ReplyDeleteHey, well said, sir.
DeleteI saw Jack Ryan in theaters, and I enjoyed to about the same degree as you Adam. I mean it was fun, relatively interesting, and was a well put together movie made by people with talent. And yet somehow it was the 62nd movie in box office take homes from this year, just a few spots ahead of Into the Storm, and a few spots behind Dracula Untold, so make of that what you will. Although I am happy that Dracula Untold exists because it caused a re release of the blu ray of Bela Lugosi's Dracula, which I promptly picked up, so thanks bad vampire movies.
ReplyDeleteI liked Shadow Recruit fine on Netflix Instant a week ago. But let's just recap for a moment, shall we? Several years after American Wall Street corporations caused a real-life global financial crisis (a crisis that, by the way, goes completely unmentioned in the movie, though we do get a shot of the burning World Trade Center), Paramount, an American corporation, gives us a movie in which Wall Street must be defended against a foreign plot to cause a global financial crisis. Shockingly, the zeitgest was not captured, and a smash hit did not ensue. Power to the people! Occupy Paramount Studios! ¡Viva Elizabeth Warren! :P
ReplyDeleteHear, hear.
DeleteI remember when Lindsay used to look like that, I might watch Mean Girls to remember my crush on her back then
ReplyDeleteAnd Jack Ryan keeps popping up on here. Getting some love. I think LA Doug put it on his top ten of the year list, im sure thats what he said on the podcast ;)
I rewatched Jack Ryan a couple weeks ago and its still solid, Chris Pine really needs to go a little easier on himself about the movie in the press, it aint that bad bro. As for Mean Girls I saw that one a few months back again for the first time in a while and man Lohan was hot in that movie and did a good performance, why did she have to like cocaine so much?!
ReplyDeleteAlso one last quick note, where the hell has Tim Meadows been at? Ladies Man is not that great I give you but he is really good in the right role, dude nails it in his brief role in Mean Girls.