by Anthony King
*TW: A major plot point of this movie deals with sexual assault*
Last night, as I was watching the opening sequence of The Entity, my son yells out from his bedroom, “Dad!” I walked back, somewhat annoyed, but lovingly asked what he wanted. “Turn on my light! There's somebody in here!” I pulled the cord on the ceiling fan, the light flashed on, and there was Eben, curled up in a ball hiding under his blanket. I sat down next to him and told him he must have had a nightmare. “No,” he says. “I wasn't asleep. I saw this short person with a gray face, a big smile that curled up to his ears, and a long nose.” Long story short, we're moving. But if The Entity has taught me anything it's that a poltergeist doesn't stay with the house; it stays with the person.
The first time I watched Sidney J. Furie's haunted house movie was because my friend Daena said it was her favorite movie. She neglected to tell me that not only was it a haunted house movie, but it was also about a ghost repeatedly and graphically sexually assaulting Barbara Hershey. Supposedly based on real life events but fictionalized for the film and book upon which it's based, both written by Frank De Felitta, The Entity follows Carla (Hershey), a single mother who works a day job while taking secretarial classes at night in order to make ends meet and hopefully provide a better future for her children. Within the first 10 minutes of the movie, Carla is pinned down and raped in her bedroom by an unseen force. Trying to explain to her kids, her friends, and even doctors what occurred proves to be pointless as no one believes her. The attacks on Carla keep happening at her home, at other people's homes, and even in her car, until one by one, people start to believe her after witnessing the attacks.The Last House on the Left or Revenge. The way Hershey plays these sequences is exactly how someone in this exact instance would be reacting: she's absolutely terrified, feels completely violated, but can't quite comprehend what is happening because, although she knows she's being attacked, she can't see the attacker. As the viewer, I too am horrified. But Hershey's actions and reactions are remarkable. She whips her head before turning back to camera with blood on her lip after being punched by the ghost. Her legs are forced apart and hands forced above her head as she is assaulted in the bathroom. And the best (worst?) part: her breasts are fondled while she lays in bed, finger indentations appearing on her skin where there are no fingers. Her acting, along with the camera work, editing, and special effects by Stan Winston, make for alarming yet completely hypnotic sequences.
Tobe Hooper's superior Poltergeist came out six months after The Entity. The glut of haunting and possession movies that were made for television alone in the late '70s and early '80s shows us just what the people wanted. While The Entity goes off the rails at the end with the parapsychologists and their ludicrous experiment involving thousands of gallons of liquid helium, and the fact this it's over two hours long when it could easily be a tight 87 minutes, I still consider it one of the scariest and thrilling poltergeist movies. But does it really need that final line of dialogue?